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The Lute
Oil on canvas, 1904
Public collection
The Garland
Oil on canvas, 1899
Public collection
A Reading
Oil on canvas, 1897
Public collection
Comedia
Oil on canvas, 1895
Public collection
In the Garden
Oil on canvas, 1892
Public collection
The Piano
Oil on canvas, 1891
Public collection
The Recitation
Oil on canvas, 1891
Public collection
The Hermit Thrush
Oil on canvas, 1890
Public collection
The Days
Oil on canvas, 1886
Public collection
The Days [detail #1]
Oil on canvas, 1886
Public collection
Lady with a Lute
Oil on canvas
Public collection
Summer
Oil on canvas, 1890
42 1/8 x 54 1/4 inches (107 x 137.8 cm)
Private collection
Before a Mirror
Oil on canvas, 1910
Public collection
Woman in Purple and Green
Oil on canvas, 1905
Public collection
Thomas Wilmer Dewing (May 4, 1851 – November 5, 1938) was an American painter working at the turn of the 20th century. He was born in Newton Lower Falls, Massachusetts. He studied at the Académie Julian in Paris, and later settled into a studio in New York City. He married Maria Oakey Dewing, an accomplished painter with extensive formal art training and familial links with the art world.
He is best known for his tonalist paintings, a sub-genre of American art that was rooted in English Aestheticism. Dewing's preferred vehicle of artistic expression is the female figure. Often seated playing instruments, writing letters, or engaged in other impassive actions and situated in gauzy, dreamy interiors, the figures remain remote and distant to the viewer. These scenes are infused with a color that pervades the entire picture, setting tone and mood. The ethereal delicacy and subtle color harmonies of Dewing's paintings have not met with universal approval: some feminist critics have lambasted Dewing's work as being misogynistic; he rarely painted anything other than the female figure, vacant of expression, languishing in sumptuous clothing.
Tonalism quickly came to be considered outdated with the advent of modernism and abstraction in art, though Dewing was successful in his own day. His art was considered extremely elegant, and has undergone a subtle revival in the last 10 years or so.
Dewing was a member of the Ten American Painters, a group of American Impressionists who seceded from the Society of American Artists in 1897.
He spent his summers at the art colony in Cornish, New Hampshire.
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